Writing Vivid Dialogue by Rayne Hall


I have been searching for a good, basic book about writing dialogue since I started the Writing Slices blog in 2011. I’ve read some decent books and some awful ones, but it wasn’t until a friend recommended WRITING VIVID DIALOGUE that I found a truly great one.

WRITING VIVID DIALOGUE is organized well, starting with some simple tweaks to make dialogue better. By turning statements into questions and giving each character an agenda, dull dialogue becomes more vivid. Hall progresses through more subtle ways to enhance dialogue by shortening sentences, adding fun one-liners, and using body language. The final few chapters are advanced techniques, like using dialogue to show when someone is lying, informing without info-dumping, and using foreign accents respectfully.

Every chapter includes well-chosen examples, showing how small changes can make dialogue sing. Hall also quotes longer passages from her own novels to help show dialogue in a larger context. I wish she had included at least a few examples from other books, since every writer approaches dialogue differently, but this is a minor fault in an otherwise excellent book.

Hall includes writing exercises at the end of each chapter. Unlike some books where the exercises seem like an afterthought, the exercises in WRITING VIVID DIALOGUE were interesting and actually useful. Each one will only take a few minutes to do, but by completing them, a writer can instantly see improvement. Hall doesn’t just tackle the easy mistakes. She helps writers dig deep into the more nuanced flavors of dialogue, such as the ways that men and women speak differently, or the best uses of profanity, or when to start a story with dialogue.

Hall’s tone is encouraging, with good instruction that is never rigid. She knows there are numerous ways to achieve any effect, and that dialogue is only one tool in a writer’s toolbox. But when done well, the dialogue is what readers will remember.


WRITING VIVID DIALOGUE can be found here.


Rating: 5 stars



This book is best for: beginning to intermediate writers


I recommend this book.



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