I usually avoid books like 77 REASONS WHY YOUR BOOK WAS REJECTED, since I don’t believe going negative helps anyone. However, at a writing workshop I teach, a disgruntled writer left a copy behind, saying that the book had upset him so much, he never wanted to see it again. That made me curious. Was the writer overreacting? Or was it really that bad?
After I read 77 REASONS WHY YOUR BOOK WAS REJECTED, I understood that writer’s reaction. I never want to see this book again either. It’s toxic. It personally attacks writers, and even worse, blames them for things that are outside their control.
Of the “reasons” Nappa gives for rejection by publishers and agents, 27 are things writers can do nothing about. Things like “We’re already publishing a similar book” and “My Sales VP is hostile toward me” and “I had a fight with my spouse just before I read your proposal” and even “You are the wrong gender.” Even so, Nappa still thinks writers should do something about it.
Rejection comes with the territory, and the best advice is to shrug it off and move on. However, Nappa suggests that writers internalize rejection, taking responsibility for it in an unhealthy way. In Nappa’s world, even the most impersonal rejection is something the writer should have been able to prevent by doing things like stalking editors on Twitter and only submitting when they’re in a good mood. (I wish I were making this up.)
Even the fifty reasons under a writer’s control are dubious at best. Things like “You are not on social media” or “Your title stinks” aren’t valid reasons to reject a good book, since those things can change after the deal is made. In fact, very few of the reasons are real reasons at all, other than the writer didn’t do enough of Nappa’s job for him.
The jacket flap of 77 REASONS WHY YOUR BOOK WAS REJECTED promises that readers will discover tips and tricks for avoiding rejection. They won’t. Nappa is eager to tell writers everything they are doing wrong but doesn’t teach them how to do it right. There are a few slivers of good advice in this book, but not enough to make wading through Nappa’s abusive rant worth it, especially since the occasional good advice is quite generic, and can be easily found in other books.
77 REASONS WHY YOUR BOOK WAS REJECTED is a close cousin to THE FIRST FIVE PAGES by Noah Lukeman, and like its predecessor, this book is not one that a writer wants or needs in their how-to library.
Rating: 1 star
I recommend Writing the Novel from Plot to Print to Pixel by Lawrence Block or The Forest for the Trees by Betsy Lerner instead of this book.
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