It’s the most maddening of rejection letters: “I didn’t connect with the story.” Or, “This is very good and well-written, but I didn’t fall in love with it.” Writers who have been writing and submitting for a while receive these rejections from editors and agents quite often. Their novels are close, but not quite ready.
If that’s you, St. John can help. Because what’s often lacking from these manuscripts is a sympathetic hero or heroine that the reader cares strongly about. What’s also often lacking is high stakes.
Most beginning writers quickly level up through the basics. They learn story structure, they nail their big turning points, and they keep a checklist of what not to do, making sure they don’t commit any big story sins. However, a writer can do all of that and still produce a novel that feels flat to the reader. It takes emotion and meaningful conflict to make a reader care, and high tension to make her keep turning pages.
WRITING WITH EMOTION, TENSION, AND CONFLICT has six sections, covering conflict, emotion, setting, tension, dialogue, and characterization. Each section has several chapters diving deeply into the heart of what makes novels work. But St. John doesn’t just give instruction. She gives writers tools. She shows writers how to do research, how to take notes, and even how to watch television with an eye toward learning writing lessons. The exercises at the end of the chapters are meaningful—not just busywork.
The only bad thing about this book is that St. John uses too many examples from movies. I get why she did it (movies are shorthand for books) but I wish she’d included more examples from novels.
WRITING WITH EMOTION, TENSION, AND CONFLICT is perfect for intermediate writers: those who have the technical skills and are ready to make the leap to the next level. But it’s also a great book for beginners who are honing their skills and for advanced writers who need a reminder of what really makes their readers turn to the next page.