Intuitive Editing by Tiffany Yates Martin

INTUITIVE EDITING is a frustrating book. Yates has extensive experience as an editor, both freelance and working for big publishing houses. And she has excellent advice for authors who want to polish their novels before handing them over to a professional editor. However, everything is over-explained, every point belabored, and it’s all weighed down with so many examples that the good advice gets lost. Ironically, this book on editing could have used an editor.

I liked Yates’ approach a lot. She starts with the biggest issues and works her way to ever smaller ones. This is the way I edit, and when I teach classes on editing, this is what I teach. Start by making sure the characterization, plot, and stakes are all in place. Then come medium-sized issues like point of view consistency, pacing, and voice. The final stage is smaller things, for example, removing crutch words and streamlining descriptions.

However, Yates exhaustively explains even the most simple concepts. For example, she devotes many pages to the difference between first and third person stories. Every writer learned this in middle school, and we don’t need it taught again. Even while addressing more complex topics such as point of view or suspense, Yates throws in example after example until the original point is lost. It feels like someone nudging you in the ribs saying, “Get it? Get it?” Yates is on more solid ground when using examples from real novels rather than hypothetical ones she made up, but each time a point is made, she happily uses three or more examples when one would do.

Even worse, very little of INTUITIVE EDITING will be useful for an author with a completed manuscript. Yates seems to want to teach authors how to write a novel rather than how to revise one. She gives vague handwaving toward the difficult job of finding a novel’s problems. However, very few beginning authors have the objectivity to look at an example, figure out how it applies to her own work, and then go back and edit accordingly. And when an author does have the objectivity to do so, her skills have progressed to the point where she no longer needs this book.

And that’s what makes this book frustrating. There are many valuable lessons here. INTUITIVE EDITING is like a short writing course taught by a good professor. However, the time to apply these lessons is in the planning or first draft stage, because the lessons are too general to apply to a completed manuscript. An author would be better served by taking the very good writing lessons in INTUITIVE EDITING and applying them to her next book.

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INTUITIVE EDITING can be found here

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Rating: 3 stars

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This book is best for: beginning writers

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I recommend this book or The Anatomy of Prose by Sacha Black or Writing for Emotional Impact by Karl Iglesias

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