Content Warning: sexual assault
Yorke is a TV writer and producer for the BBC, so he has an interest in story structure. His career would seem to depend on it, and yet, he treats the most basic and well-known elements of storytelling as if they were brand-new insights. Yorke references the screenwriting teachers who came before him like Vogler, Snyder, and Field, while at the same time trying to take credit for ideas they developed.
While studying the three-act structure, Yorke noticed that act two was longer than the others, with a distinct dividing line in the middle. In short, he learned about Midpoints. That’s when Yorke decided that the three-act structure was really a five-act structure, and INTO THE WOODS is littered with charts to “prove” his point. It’s still the exact same story structure. He simply renamed the parts.
All of INTO THE WOODS is like this. Yorke describes some well-known facet of storycraft and then pretends he was the first to discover it. The first chapters are about story structure, while the second half of the book deals with characterization, dialogue, and exposition. Yorke ends with a long and boring history of TV shows. His entire point here is that TV shows either end because the characters change, and therefore their story is finished, or the characters don’t change at all (such as in sitcoms) and the show gets repetitive. It’s so obvious as to be laughable. There is literally nothing here that hasn’t been said before in better books.
Yorke’s examples are mostly random and never illustrate his points in any meaningful way. In fact, his points are so general that nearly any example from nearly any movie or TV show would fit. INTO THE WOODS reads like a paper from a student who did a lot of research and took a lot of notes, and is determined to cram it all into the text, whether it fits or not.
Throughout, Yorke keeps hinting at a big reveal. He keeps promising that he’s going to explain why humans tell stories. Like a late-night infomercial that keeps hyping a gadget before showing it to you, Yorke hints that his upcoming insight is going to be brilliant. Finally, he shares the secret. Are you ready for this?
Humans tell stories to make sense of the world.
That’s the insight that Yorke thinks is so groundbreaking that he spends an entire book leading up to it.
All this would probably add up to a two-star rating but what sinks it to a one-star is Yorke’s misogyny. The vast majority of his examples are taken from macho movies such as The Godfather and Apocalypse Now, and every single one of the experts he quotes is a man. He brings up sexual assault at least once per chapter, as if he’s fascinated by the subject. Out of the thousands of examples he could use to illustrate his points, over and over he chooses examples of women being assaulted by men. The only woman-centric movie he cites is Thelma and Louise, and you can guess which aspect of it he’s fixated on. He even reimagines the fairy tale of Hansel and Gretel with the children raped and murdered.
I never thought I’d have to put a content warning in a book review, but there’s a first time for everything. And here’s another warning: don’t buy this book.
Rating: one star
I recommend Save the Cat by Blake Snyder or Plot and Structure by James Scott Bell instead of this book.