After a beginning writer learns the fundamentals of character and plot, there comes a long, frustrating period where she’s finishing novels, but they aren’t very good. And if they are good, they only get that way after many rounds of revision. It takes lots of practice to get to pro-level writing, but having good mentors and how-to books can help. THE SECRETS OF STORY is the perfect book for the writer who is ready to take the leap.
Bird is a screenwriter, but his lessons apply to novelists too. The chapter titles are exactly what I expected from a how-to book: character, plot, description, dialog, theme, and revision. However, the content of those chapters was not what I expected. On the surface, it seems like Bird is giving advice that goes against everything taught in more basic how-to books. But Bird doesn’t want to upend common wisdom. Instead, he’s inviting writers to go deeper, to expand on the knowledge they’ve already gained. In thirteen chapters, Bird lays down 122 “secrets” that are so good it feels he’s explaining the laws of physics rather than something as slippery and subjective as art.
For example, most how-to books tell you to make the protagonist “heroic,” but Bird says you should make your protagonist vulnerable. That’s where audience identification comes from, and audience identification is everything. And then, he thoroughly explains how to do it.
Most how-to books caution against making all the characters sound alike. So writers will give one character a lisp, one a catch phrase, and one bad grammar habits. That’s easy. It’s also terrible. However, Bird explains that what characters need is a preferred set of metaphors and a preferred argument style. This will distinguish characters from one another in a believable way. It also forces the writer to slow down and really get to know her characters instead of slapping a set of quirks on them.
There are hundreds of other little gems like this in THE SECRETS OF STORY, along with a huge helping of solid advice about storycraft. Bird provides checklists in the book and on his website, but warns writers against using them in a mechanical way. Writers need to internalize the reasons behind the rules, and then apply them in their own way. Bird is also an advocate for breaking the rules, even the very ones he sets down. He’s the first to admit that sometimes you have to mess with story structure or write the “wrong” kind of dialogue to make a better story.
But if a writer truly absorbs all the lesson in THE SECRETS OF STORY, she’ll have leveled up to a point where the rules simply make sense. And she’ll have all the tools she needs to write a solid novel that readers will love.
THE SECRETS OF STORY can be found here
Rating: 5 stars!
This book is best for: intermediate writers
I recommend this book