The Write Balance by Bonni Goldberg

THE WRITE BALANCE isn’t a book about how to write. What I mean by that is, it’s not a book about craft issues like plot, character, description, pacing, or dialogue. But it is a book about the writing process. Goldberg ignores the most obvious part of the process—the first draft. There are hundreds of books out there that will teach writers how to write a first draft faster, cleaner, in thirty days, or ninety days, or a year, with or without an outline. Goldberg leaves that to other books.

Instead, she shines a bright light into other, darker corners of the writing process—those that aren’t taught much and often not even mentioned in books and classes. THE WRITE BALANCE is divided into three parts. The first is about percolation, that pre-writing period where ideas are generated. The second is about revision, including on your own and with a critique group. The final part is about going public, which can mean publication, but doesn’t necessarily have to.

Too many writers focus on daily word count, as if that’s the only metric that matters. However, Goldberg devotes fully a third of THE WRITE BALANCE to what she calls percolation. She recognizes that writers are humans, not machines, and that we need quiet thinking time as much as we need butt-in-chair time. However, she doesn’t advocate for mindless woolgathering. Goldberg offers exercises to do and a reasonable timeframe in which to do them.

The middle part of the book is about revision—another thing that gets scant attention in most how-to books. Goldberg discusses the ins and outs of critique groups and beta readers, while constantly reminding writers that their intuition will guide them well if they listen to it.

Finally, Goldberg discusses going public, although her focus is not on rushing immediately to publication. Instead, she talks about taking your time, finding the right publication path, and finding other ways to share stories, whether that is through public readings, open mics, or blogging. Publication can (and should) be in that mix, but there are lots of ways to share what we write.

Throughout, Goldberg shares lessons steeped in empathy. Everything is seen through the lens of how it will nurture or hurt writers. But this isn’t a touchy-feely book full of woo. It’s an extremely practical guide to the areas of a writer’s life that are so often overlooked. Some of us don’t even have words for what we’re doing when we’re percolating. Instead, we call ourselves “lazy” or “procrastinators,” instead of honoring the idea phase of writing.

THE WRITE BALANCE was so insightful, I sometimes felt like Goldberg was sitting in my home office with me. More than once, I whispered to my kindle, “How does she know?” But Goldberg doesn’t see through walls. She’s simply tapped into the universal struggles that all writers share, and she shows us how to make it through all the phases of writing, from first idea to publication.


THE WRITE BALANCE can be found here


Rating: 4 stars


This book is best for: intermediate writers


I recommend this book

Bonus Blog: Valentine Giveaway

Valentine’s Day is almost here. It’s a day to celebrate love of all kinds, and if there is one thing we need more of these days, it’s love. I wish I could buy a present for every single person who reads this blog. However, that’s too many presents! Instead, I’m giving away two gift boxes to two people who comment on today’s blog.

Each gift box includes books and goodies for writers, along with a bar of artisan soap made by me! My soap is loaded with skin-loving ingredients and scented with amazing fragrances. (Because the world needs more love, but it also needs more hand washing!)

This year, I’m once again highlighting a how-to book from my favorite writing teacher of all time. A WRITER PREPARES by Lawrence Block is a memoir of his earliest days as a writer. It’s filled with wit and wisdom, and feels like reminiscing with a friend. You’re going to love this book! The box also includes a paperback copy of THE BIG-PICTURE REVISION CHECKLIST, along with a notebook, a keychain, and a bar of handmade artisan soap.

The second box is all Alex Kourvo books. It includes a hardcover copy of THE BIG-PICTURE REVISION CHECKLIST and a paperback of NO HERO WANTS TO SAVE THE WORLD. The box also includes a notebook, a keychain, and a bar of handmade artisan soap.

Want to win a gift box? It’s easy to enter! Just leave a comment below telling me two things: which how-to book is your favorite, and a place I can contact you (Email, website, or Twitter).

I’ll draw two random names from the comments to this blog post on February 14, 2022 at 21:00 EST so be sure to comment before then!

You don’t have to subscribe to my blog or follow me on social media to enter, but I’d be pleased if you did. (I’m @ AlexKourvo on insta and twitter)

This giveaway is open to everyone but I can only mail boxes to US addresses. If you live outside the US and I draw your name, I’ll send you a $20 Amazon ecard instead.

Leave me a comment with a book recommendation, and I’ll announce the winners on Valentine’s Day.

Alex K.

Update: The winner of the gift boxes are Greta Picklesimer and Michael Burstein.

Two Big Things Happened Today

Hello, friends!

I have two exciting announcements.

My second how-two book for writers was published today! Cue the confetti cannons and balloon drop! I am so excited to share this book with you.

No Hero Wants to Save the World is both in-depth and accessible. I wanted to give you a clear understanding of story stakes and give you action steps so you could start working on your own manuscript right away.

No Hero Wants to Save the World is a compact-yet-meaty book that takes a fresh look at story stakes and cuts through all the myths that have been holding writers back. I guarantee that when you finish this book you will never look at story stakes the same way again!

Are we celebrating today? You bet we’re celebrating!

My second announcement is that The Big-Picture Revision Checklist is on sale today. To celebrate the publication of No Hero Wants to Save the World, my first book is having a little flash sale. For two days only, the ebook of The Big-Picture Revision Checklist is on sale for $1.99.

If you missed The Big-Picture Revision Checklist when it first came out, now’s your chance to get the ebook for less than half price! This sale won’t last long, so if you want a copy at this amazing price, you’ll have to act fast.

And if you’ve read either of my how-to books, if they’ve helped you in any way, I’d love a review on your favorite bookselling site. Reviews help other readers find me and help raise my profile so I can keep writing books.

I’ll be back in February for my regular book review, along with my annual Valentine’s Day giveaway. In the meantime, happy reading, and happy writing!

Alex K.

Alex Kourvo’s Second Book

Big News! My second how-to book for writers, No Hero Wants to Save the World: How to Raise the Stakes in Your Fiction will be published two weeks from today.

Last year, I published The Big-Picture Revision Checklist, which included a chapter on story stakes for those who were revising their novels. However, No Hero Wants to Save the World goes deeper, for a comprehensive look at story stakes on every level. This book will help you when planning, outlining, writing, and revising your novel, to make sure your stakes are as high as they can be, and that readers won’t be able to put your novel down!

Story stakes come in three kinds: inner stakes, outer stakes, and personal stakes. The key to raising the stakes is first knowing the difference between the three kinds, and then knowing when to apply each one. And most important of all, knowing that heroes and heroines don’t want the stakes raised. They are resisting danger at every turn, and unless there is something personal in the story pushing them to act, they will not cooperate with the excellent plot you’ve laid out for them.

No Hero Wants to Save the World is the guide you need to raise the stakes in an effective way. You’ll find what’s most important to your characters, how to get them personally involved, and how to crank up the tension on every page. You’ll discover the ideal time to reveal the true stakes of your story and how to add in plot twists that work. 

No Hero Wants to Save the World will be published on January 22nd. Pre-orders are available at all retailers for both ebooks and paperbacks, so you can reserve your copy right away.

Happy reading!
Alex K.

Trough of Hell by H.R. d’Costa

Most authors are fired up to write the beginning of their novels. They know how the story starts and are eager to get going on the wonderful story they want to tell. Many authors have an easy time with the ending as well, feeling like they’re coasting downhill to the climax. Then there’s the middle. Somehow, blank pages in the middle of a story are the worst kind of blank pages.

D’Costa specializes in taking a deep dive into one aspect of story, breaking down the story beats into their smallest possible units. TROUGH OF HELL zeroes in on that section about 75% of the way through the story, when things are as bad as they can get.

This is the all-is-lost moment, when the heroine is at her lowest point emotionally. Paradoxically, she’s also the closest to achieving her true goal—perhaps not the one she wants, but the one she needs. But in order to get there, she has to reach rock bottom. Only then, when she’s at her most vulnerable, can she face the truth about herself and change for the better.

D’Costa gets very specific here, showing readers all the ways they can hurt their heroes, and how to evoke true emotions by tailoring them to the story. She gives consideration to different genres, since this story beat plays out differently in comedies and serious stories. She also shows how to use minor characters to make the all-is-lost even more resonant. She wraps it up by discussing ways to avoid cliches, keep the pace from dragging, and make the all-is-lost moment deeper and more meaningful.

D’Costa is a screenwriter, so all the examples are from movies, some of them stretching back to the 1990s. But she never discusses obscure or arty films. All of the examples are from well-known movies, and D’Costa gives enough explanation so you can follow along even if you’ve never seen the film in question. The all-is-lost moment is a vital story beat in both novels and screenplays, with the same emotional job to do, so this concept applies to novels too.

The trough of hell is one of the least fun parts of a novel to write. It’s the moment when we have to be very mean to our imaginary friends. But with a guide like TROUGH OF HELL, writing that section of a novel will be easier, and the author will have the satisfaction of knowing that the terrible trouble she put her heroes in was all worth it.


TROUGH OF HELL can be found here


Rating: 4 stars


This book is best for: beginning writers


I recommend this book

Guest Review from Lawrence Block: The Big-Picture Revision Checklist by Alex Kourvo

Today’s book review is a bit different. Instead of a book review by me, it’s a review of the book I wrote! Lawrence Block is visiting the blog today to share his thoughts about THE BIG-PICTURE REVISION CHECKLIST.

Alex Kourvo is one of a kind. A gifted writer and editor, she has developed a special interest in books for writers, how-to manuals for those of us who want to find the best words and put them in their best order. Pursuing this interest, she has devoted much of her time to reading those books, digesting their contents, and reviewing them for the benefit of those writers who are her readers.

Full disclosure: I’ve written instructional books for writers myself, and Alex has been gracious enough to say very nice things about some of them.

I recall an observation of science fiction writer Samuel R. Delany: “I write the books I cannot find on library shelves.” Alex’s shelves are extensive, but the book she couldn’t find was one on writing a novel’s second draft. And so she’s written The Big-Picture Revision Checklist, designed to shepherd a writer who’s already produced a novel’s first draft.

More full disclosure: I’m an anomaly. I’ve produced a substantial body of work over many years, and while I certainly tweak sentences and rework scenes as I go along, my first draft is my final draft. So I’m probably not the best person to swear to the efficacy of Alex’s suggestions. But her book is cogent and persuasive, and now that she’s been considerate enough to write it, it’s there to be found on the shelf—where you’ll be fortunate to make its acquaintance.

Lawrence Block


The Big-Picture Revision Checklist is in paperback and ebook at all retailers.

Bonus Blog: Don’t Take My Word for It

The Big-Picture Revision Checklist comes out October 1st, and you can pre-order your ebook or your paperback today. But you may be wondering, why should you pre-order a book that you haven’t even glanced through yet? The author says it’s good, but authors always say that about their own books. Maybe we should get a second opinion or three.

Here’s what Sacha Black had to say.

You know how to draft a book, you know how to proof for commas, but what happens in the middle? The Big-Picture Revision Checklist is a fantastic tool to help you assess and do a developmental edit of your novel. If you’ve ever struggled to do the big-picture edit, you need this book. Packed with examples and comprehensive explanations, this is the perfect guide to help you through edits. Whether you’re a new writer or a seasoned pro, you’ll find tips, tricks and helpful reminders to keep you on track while editing. 

Fellow editors like Chris Allen-Riley quite like the book as well.

This book will not only walk you through the revision process step by step, it will also entertain and encourage you. Alex Kourvo and her process are nothing short of life-changing. Reading The Big-Picture Revision Checklist is like sitting down with your BFF and sorting out exactly what your book needs to take it to the next level (and beyond).

And here is Lawrence Block.

Alex Kourvo is one of a kind. A gifted writer and editor.

One more note: I won’t be writing a book review on October 1st because Lawrence Block is going to take over the Writing Slices blog for the day and write a full review of The Big-Picture Revision Checklist. Stay tuned to watch Alex’s head explode in rainbows and sparkles!

Until then, happy writing, and happy re-writing!

Alex K.

Alex Kourvo Wrote a How-to Book

I have a new book coming soon! It’s called THE BIG-PICTURE REVISION CHECKLIST and it’s going to be published in paperback and ebook October 1st. The ebook is available for pre-order on every major retailer.

I’ve reviewed over 200 how-to books on the Writing Slices blog, but I couldn’t find a book like this on my shelves. I’ve read many wonderful books about writing a first draft, and many about improving a book through copyediting, but I haven’t seen a book about that special middle draft, where an author is rethinking the big picture.

So I wrote one.

The Big-Picture Revision Checklist is the guide you need to revise your novel. It will help you make likable protagonists who are flawed in exactly the right ways, and antagonists that readers love to hate. You’ll crank up your story stakes and pinpoint the five crucial scenes every novel needs. With in-depth chapters and examples from contemporary fiction, this clear-eyed manual gives you all the tools you need to bring your book to the finish line.

The book is short and to the point, so you can get to revising your novel right away.

Pre-orders are available wherever books are sold, worldwide. When the book is published, you can order the paperback online or at your local bookstore.

Get THE BIG-PICTURE REVISION CHECKLIST for a step-by-step guide to a polished and professional novel you’ll be proud of.

A Writer Prepares by Lawrence Block

Lawrence Block wasn’t always Lawrence Block. I mean that figuratively and literally. He wasn’t always a Grand Master of the mystery genre, and he wrote an incredible number of novels under secret pen names before ever putting his own name on a book. A WRITER PREPARES is a memoir of Block’s start, from his earliest writing attempts in high school and college up to the publication of the first novel under his own name.

In the late 1950s, while he was still in college, Block had a job writing rejection letters for the Scott Meredith Agency. It was a fee-charging agency that was very bad for writers but kind of great for Block, since it got him connected to his next job, which was writing short erotic novels. He had contracts with two publishers to deliver a book a month, for which he was paid a flat fee, and he continued doing that for a decade, during which time he got married and had two daughters. He took day jobs here and there, but still wrote erotica on the side until 1966, when he finally started writing crime novels in earnest, starting with The Thief Who Couldn’t Sleep.

A WRITER PREPARES is incredibly smooth reading, written in Block’s conversational style. It’s also funny. I kept stopping to read parts of it out loud to my family, because they wanted to know why I was giggling my way through a memoir. Even the parts that were horrifying, such as the terrible treatment of writers by the Scott Meredith Agency, were hilarious in that whole “laugh so I don’t cry” way. Block puts a light spin on everything, reminding us that writing truly is the best job in the world.

A WRITER PREPARES might seem like an odd choice for this blog. I’m all about how-to books after all. But Block is a natural teacher, and he’s always giving writing lessons, whether he means to or not. I learned so much from this book—more than I can put in a review—but here’s a small taste.

Agents don’t care about writers or writers’ careers. They care about their own bottom line. The Scott Meredith Agency was particularly scammy, charging authors a reading fee, never sending work out, and lying to authors about their submissions. But are modern agents much better? To agents, writers are interchangeable. It’s not worth going to bat for one writer when there are plenty of others to fleece represent.

Write to market. Block learned this lesson early and well. He wrote his school compositions based on what he thought his teachers wanted, and won an eighth-grade essay contest by extolling the virtues of “Americanism” because he knew the judges were patriotic. His erotic novels were always the exact length and heat level the publisher wanted. He read every back issue of Manhunt he could find to understand what the editor was looking for when he sent them stories. When Block had the idea for The Thief Who Couldn’t Sleep, he sat on it until he was sure he had all the elements for a complete story that would appeal to mystery readers. There is nothing wrong with having original ideas that are wild and fun, but keeping the audience in mind is how a writer gets read.

Practice is never wasted. Block happily admits that he spent his twenties writing crap. All of it was under pen names for low-budget publishers and most of the time, he never saw a copy. But this served as a risk-free apprenticeship that made him the writer he is today. It allowed him to experiment, to pick up new skills, and to practice writing to a deadline. Writing a whole lot of bad fiction is a great way for a writer to learn to write good fiction.

Treat it like a job. Block may have written terrible fiction when he was just starting out, but he wrote a lot of it. He wrote while taking college classes, he wrote while editing the college newspaper, he wrote while working full time at a literary agency. Before he ever sold a word of fiction, he still wrote every day while rejection letters piled up. When he had to quit school and move back home for a semester, he wrote in his childhood bedroom. Block wasn’t a professional. He wasn’t getting paid. He wrote anyway.

Community is important. Block did his best work when surrounded by writers and publishing people. In New York, Block hung out with Donald Westlake, Hal Dresner and Robert Silverberg, and their shoptalk was vital to his success. At one point, Block moved his family to Buffalo to be near his aging mother, and his writing suffered. Pre-internet, a writer had to either live near other writers or write a whole lot of letters. Block tried the latter, but was happier with the former, and moved back to New York as soon as he could.

The book world has changed a lot since the 1950s. Or has it? There are still plenty of very bad literary agents out there, and new writers are strung along by empty promises every day. Writing erotica is different now, but with Kindle Unlimited, there are once again authors serving apprenticeships by publishing a short erotic novel each month. Writing to market is still important, as is not holding too tightly to early work. And no matter what, surrounding yourself with like-minded writers is still the best path to happiness and success.

Reading a writer’s memoir is always inspirational, but A WRITER PREPARES is both inspiring and instructive. It’s a delightful look back in time filled with lessons for the present day.


A WRITER PREPARES can be found here


Rating: 4 stars


This book is best for: all writers


I recommend this book

Craft in the Real World by Matthew Salesses

Korean-born novelist Salesses has a lot of questions about the traditional writing workshop. Who is it for? Who does it benefit? Is there any way to teach writing that doesn’t perpetuate unequal power structures? And why is most literary fiction so gosh-darned bland, as if all the interesting edges have been sanded off? But CRAFT IN THE REAL WORLD isn’t just for teachers or MFA students. It’s essential reading for anyone writing fiction today.

College writing workshops were created for upper-class, white, straight male writers, and many of the rules of fiction writing comes from them. What we consider high-quality writing is always seen through this lens. We like to pretend that craft is pure in some way, without bias, but that’s simply because the bias is invisible. Whose stores are told, whose stories have value, which plot structures are acceptable, and even which details are included are all based on an assumed reader, and that reader only comes in one flavor. Everything else is called “experimental” or “women’s fiction” or “diverse.” And in the rare occasions that other modes of expression are taught, it’s in contrast to the dominant form of fiction. Instead of asking why writing rules exist, we treat those who “break” the rules as exceptions. If a writer arrives with a different set of cultural expectations, she’ll be pressured to silence her own voice in order to conform to the norms of the group.

Salesses closely examines the typical subjects of writing craft books, asking why they always use realist fiction by dead white men as models. These are the hero’s journey stories we’re all taught, where the world bends to the hero’s will, and any problems in his life can be overcome through hard work and self-improvement. This is very much a Western, male view of the world and not one that everyone shares. In chapters on plot, conflict, tone, characterization, pacing, setting, and story structure, Salesses opens readers’ minds to new ways of thinking and writing. We don’t all write to the same market, and fiction doesn’t have to please a wide audience. It only has to please the right audience.

The last part of the book discusses practical ways to run a writing workshop that centers the author rather than those giving the critique. These methods are more labor-intensive for instructors (which is why most won’t use them). These new methods will empower writers so they can go on to revise their own stories even after they’ve left school. Working writers reading CRAFT IN THE REAL WORLD will find helpful tips to make their writing more inclusive, more interesting, and just better.

Reading CRAFT IN THE REAL WORLD wasn’t easy for me. I remembered my own college classes and community writing groups, thinking about the ways I was silenced, and the ways I unknowingly used my privilege to silence others. I found myself reading very slowly in order to truly absorb each point before moving on to the next. Some of the lessons were painful, some were embarrassing, but more than anything else, they were helpful. When you know better, you do better, and CRAFT IN THE REAL WORLD will help every single one of us become better writers.


CRAFT IN THE REAL WORLD can be found here


Rating: 5 stars


This book is best for: intermediate and advanced writers


I recommend this book