The Last Fifty Pages by James Scott Bell

 

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Starting a novel is easy. Ending one is hard. Bringing a narrative of 70,000+ words to a satisfying conclusion is a high-wire act that demands an epic showdown, deep character change, tying up loose ends, and an emotional resolution. No wonder every writer has files of half-finished manuscripts on her computer.

But Bell is here to help. THE LAST FIFTY PAGES zeroes in on that all-important third act. Bell discusses the mechanics of endings, which most writers already know how to do: good guy and bad guy face off, one of them wins. But Bell goes far beyond the mechanics. He’s more interested in the purpose of endings. Tying up the plot is only a small part of that.

Bringing things to a satisfying conclusion means looking through the novel for moments of character change, and then amplifying them at the last moment. Bell gives examples from stories that work, from Huckleberry Finn to the Maltese Falcon, showing examples of this technique done well. Character change is what gives the ending—and the entire novel—emotional resonance.

Bell also discusses the different kinds of endings. Different genres have different requirements for their endings and one size does not fit all. Sometimes the protagonist wins. Sometimes she loses. Sometimes she wins but at too high a cost. Sometimes she loses one thing but wins another. Bell uses examples of well-known books and movies to illustrate his points. I’m a big fan of well-chosen examples, since that’s how I learn best.

Bell has a short chapter on ending blunders, but does not dwell too much on it, which I also appreciate. It’s important to know what not to do, but instructors need to go beyond that, to teach writers what they should do instead, and Bell really delivers here.

There are numerous ways to get to those magical two words: the end, With THE LAST FIFTY PAGES along as a guide, a writer will get there, and she’ll make herself—and her readers—happy along the way.

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THE LAST FIFTY PAGES can be found here.

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Rating: 4 stars

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This book is best for: intermediate writers

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I recommend this book

How to Write Pulp Fiction by James Scott Bell

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Pulp is often considered lowbrow. Just because it’s written in quantity and features plain language, it is often seen as undeserving. Literary writers are especially fond of looking down their noses at genre writers. But good pulp is simply another version of the art form known as the novel. And yes, it’s an art. Just ask Elmore Leonard, Raymond Chandler, and Lawrence Block.

Bell defines pulp fiction as plot centric, easy to read, and fast-paced, with colorful characters, witty dialogue, and intriguing settings. In other words, popular fiction. Romance and thrillers are the bestselling genres today, but Bell only gives a passing nod to romance. His advice is clearly for those who want to write thrillers or hardboiled mysteries, especially in a series. (He calls a series character “the writer’s insurance policy.”)

A pulp writer gives the reader what they want and plenty of it. In order to do that, the writer has to study the market and write fast. HOW TO WRITE PULP FICTION is loaded with lists and plot generators, along with good general writing advice that will keep pulp novels from becoming hack work. Bell’s two strategies for writing faster are also tried-and-true: banish distractions and write to a quota. Pulp writers can’t afford to be too precious about the work.

HOW TO WRITE PULP FICTION is rounded out with some publishing advice. The first pulp golden age was when paperbacks were a new medium. Now, ebooks are the new paperbacks, and low-priced reads are once again taking over the market. Bell assumes that pulp writers will be self-publishing and gives advice about hiring editors and proofreaders. He also urges writers to give books away periodically in order to raise awareness of your name. Since a pulp writer will be writing a lot, doing a few giveaways won’t hurt sales.

This is a very specific book for a very specific kind of writer. It’s not a general how-to book. But like pulp fiction itself, HOW TO WRITE PULP FICTION is fast-paced and easy to read. It’s a great introduction to writing faster, writing to market, and generally getting out of your own way to let those stories rip.

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HOW TO WRITE PULP FICTION is available here.

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Rating: 4 stars

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This book is best for: beginning writers

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I recommend this book.