Deep point of view—getting into a character’s head and staying there—is a difficult skill for new writers, but it’s a vital skill to master. Small author intrusions add up, distancing the reader from the character page after page. While editing, those subtle intrusions are difficult to weed out, leaving some manuscripts a muddled mess of close and distant point of view.
However, Nelson is here to help with a guide that is straightforward, no-nonsense, and thorough. There is no fluff in RIVET YOUR READERS WITH DEEP POINT OF VIEW. In eight short chapters Nelson tells writers what they need to know and no more.
And what authors need to know is how to do it. Unlike many how-to books that diagnose problems without giving solutions, RIVET YOUR READERS WITH DEEP POINT OF VIEW is all about practical application. Nelson explains the principle, gives before-and-after examples, shows exactly why they work, then gives exercises for writers to try their own hand at applying what they’ve learned.
Nelson details how to capture character thoughts, how to show emotion, how to banish filter words like saw, felt, or wondered and how to make sure cause and effect are always in the right order. These are problems I often see in beginners’ novels, but once they are conquered, the manuscript improves immeasurably.
Nelson’s examples are serviceable but not stellar. They are all from her own work, and they get the job done, although they didn’t make want to rush out and buy her fiction.
Staying tightly in a character’s point of view is not easy. The good news is, once you understand depth in point of view, it’s not something you can ever unsee, and RIVET YOUR READERS WITH DEEP POINT OF VIEW will help you master this important writing skill.
RIVET YOUR READERS WITH DEEP POINT OF VIEW can be found here
This book is best for: beginning writers
I recommend this book