Bonus Blog: Don’t Take My Word for It

The Big-Picture Revision Checklist comes out October 1st, and you can pre-order your ebook or your paperback today. But you may be wondering, why should you pre-order a book that you haven’t even glanced through yet? The author says it’s good, but authors always say that about their own books. Maybe we should get a second opinion or three.

Here’s what Sacha Black had to say.

You know how to draft a book, you know how to proof for commas, but what happens in the middle? The Big-Picture Revision Checklist is a fantastic tool to help you assess and do a developmental edit of your novel. If you’ve ever struggled to do the big-picture edit, you need this book. Packed with examples and comprehensive explanations, this is the perfect guide to help you through edits. Whether you’re a new writer or a seasoned pro, you’ll find tips, tricks and helpful reminders to keep you on track while editing. 

Fellow editors like Chris Allen-Riley quite like the book as well.

This book will not only walk you through the revision process step by step, it will also entertain and encourage you. Alex Kourvo and her process are nothing short of life-changing. Reading The Big-Picture Revision Checklist is like sitting down with your BFF and sorting out exactly what your book needs to take it to the next level (and beyond).

And here is Lawrence Block.

Alex Kourvo is one of a kind. A gifted writer and editor.

One more note: I won’t be writing a book review on October 1st because Lawrence Block is going to take over the Writing Slices blog for the day and write a full review of The Big-Picture Revision Checklist. Stay tuned to watch Alex’s head explode in rainbows and sparkles!

Until then, happy writing, and happy re-writing!

Alex K.

The Anatomy of Prose by Sacha Black

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You’ve got to know the rules before you can break them.

This is true in any field, including writing. It’s not about paying your dues. You don’t “earn” the right to break the rules. If anything, experience gives you new appreciation for those rules that you might have once chafed against.

However, once you understand the reason behind writing rules, you can break them for effect. And when you break the rules, you’ll know exactly what you gain and what you lose by doing so.

Black understands that writing rules don’t exist just for the sake of having rules. They aren’t put in place to please copyeditors or the grammar police. Writing rules are merely best practices for communication, and the better you understand them, the better you can apply them—or bend and break them when the time is right.

THE ANATOMY OF PROSE consists of short lessons that will tighten flabby sentences, tune up rambling paragraphs, and shine a spotlight on the most important parts of your novel. Black covers when to show and when to tell, how to find your voice, clean up your style, and put a finer point on all your description and exposition. She has tips for brighter dialogue, tighter pacing, and clearer transitions.

THE ANATOMY OF PROSE covers a lot of ground, meaning very short chapters. Black quickly tells you the rule, why it matters, and how to apply it. She illustrates each point with a single example, all but a few from her own work. The examples are good and they do the job, but it would have been nice to have examples from a range of other voices so authors could have some side-by-side comparisons.

You’d expect a book of do’s and don’ts to be stuffy but this one is not. THE ANATOMY OF PROSE is filled with punchy British slang and just the right amount of swear words (a lot of them). Black is having fun with writing. She wants you to understand the deep principles of prose so you can convey your exact meaning, and perhaps have some fun with your writing too.

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THE ANATOMY OF PROSE can be found here.

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Rating: 4 stars

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This book is best for: intermediate writers

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I recommend this book

13 Steps to Evil by Sacha Black

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Villains are the most necessary part of a story, because the villain is the one who creates the conflict and keeps it going. No conflict? No story! However, most authors lavish attention on their heroes, neglecting the villain, leading to novels that feel flat.

Black is here to correct that. She starts by explaining just how important a good antagonist is. Black then lists the steps necessary to create an ideal villain, including negative-yet-relatable traits, a strong personality, and a good motive. She shows how to write a villain’s backstory to create a believable antagonist who is a credible threat to the protagonist. Black also emphasizes the need for both the hero and the villain to be proactive, not victims to the whims of the plot.

But it’s not enough to create an ideal villain. An author must create an ideal villain for this book. So much depends on the needs of the story and the genre, and 13 STEPS TO EVIL is the first how-book I’ve seen that breaks down the different kinds of antagonists. In fact, the title is somewhat misleading, because not all antagonists are evil—or even bad—and Black is careful to distinguish the well-meaning antagonists from the truly villainous ones.

Black goes on to explain what makes a villain different from an anti-hero. She cautions against using clichés such as the sex-crazed femme fatale with too-much makeup or the supervillain with a giant self-portrait in his lair. And she teaches writers how to write a convincing climax—again, focusing on the needs of each genre.

My favorite chapter was the one on villains and mental health. Too many authors give their antagonists a mental health diagnosis and then clap their hands, thinking their job is done. This is discriminatory and offensive because it implies (or outright states) that bad guys are bad because they are mentally ill. Rather than create an interesting antagonist, some writers would rather rely on myth and stereotypes to stigmatize an entire sector of society. Black isn’t saying that your villain can’t have a mental health issue. In fact, she’ll teach you how to do it well. Black wants you to be as careful with this as you would any other part of villain creation.

13 STEPS TO EVIL is perfectly organized to function as both a how-to book and a reference book, so you can learn it all now, and also go back to look stuff up later. It has everything a new writer needs as well as tips for advanced writers who wonder why their bad guys aren’t quite hitting the mark. 13 STEPS TO EVIL delves deep into the psychology of heroes, villains, and readers to show what works and why it does.

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13 STEPS TO EVIL can be found here

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Rating: 5 stars

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This book is best for: beginning to intermediate writers

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I recommend this book